Coachella Logistics

Reaching Coachella weekend mid-April means a lot to me: getting past the dark, dreary Winter and connecting with the sunny warm festival world again. The live streams from sweltering Deep Desert, California help me feel it might be safe to crawl out of my alpaca underthermals and that I should empathize with all the brave beset concert-goers suffering sunburn and dusty dehydration. I dream of attending in person again, but I end up thinking about what a pain it would be to pay, travel, traffic-jam, camp, and be stuck out in the vast, barren polo fields over several days with a quarter of a million other humans rather than just flannel pajamas streaming it. I can comprehend how it’s worth a fair amount of grief as an attendee for the experience, but what is it like for the performers? How on earth does Goldenvoice pull off such a huge project? I presume each of the acts are basically already on tour and they have their own set of roadies, transport/party vans. But with ~160 acts over the two weekends, how do the bands lock into the logistics months ahead and is there a glut of hundreds of tour trucks and buses on the I-10 from LA? Do the bands make a profit or to they take a loss for the exposure? Do they have to actually pay to play? Are any acts banned from Coachella? Like Cage the Elephant 2014, clearly tripping mental balls. Continue reading

Lads From Liverpool

I left you with a gripping cliffhanger over a year ago about my eyeballs, and now you can breath. My vision is amazingly clear and the recovery after the procedure was weird and miserable only for a little while. Going back to last year I was following rumor and news about a new release from U2. After launching “Invisible” in February, 2014, it seemed a new record was imminent and they were not going to settle for relic status. About that time I came across the “Eh! U Talkin’ U2 To Me?” (read that in a Travis Bickle voice) podcast from Scott & Scott, the U2 nerds. Fortunately, they have day jobs as (mid- to upper-alphabet range) Hollywood stars. Hot Tub Time Machine 2, Life of Walter Mitty, know what I’m saying? Like me, their anticipation was stoked! Though in each 3-hour episode, outside of the convoluted tangents and ‘podcast within a podcast’ segments, they barely got around to talking about U2. Continue reading

Round And Round It Goes

When I’m alone, in my phones…” Well I can relate to that (thanks St. Etienne) and even say my new headphones are a life saver. Bolted down to a chair in the middle of a bustling software development department, perfectly positioned for the acoustics to amplify the sounds of programming babble and nasal snot sucking, it’s hard to block out the noise and concentrate on my own work. I usually just plug in dangly cheap earbuds, but unless I really crank it I can’t hear much detail from the music, and I get a ton of detail from all the chatter outside of the music. I know the clunky headphones are great for getting deep into the atmosphere, opening up nuances, and blocking out the outside. But I must have geothermal earlobes because they start to bake like a pan of hot fudge brownies after a few minutes. Has anyone invented liquid nitrogen cooled head cans yet? Continue reading

Digital Movie Barn

I’ve been out for a round of vacuous movies to kick off the Summer season. It’s not like it was under duress, strapped into a chair with hooks holding my eyelids open. I just realized I didn’t have a higher cause to champion than to endure my failed suspension of disbelief, and I do it every May after a long, dreary Winter (still underway in Utah). Just so I won’t offend anyone who likes shameless merchandising and tastelessly showy CGI spectacles I won’t mention any names (it’s all of them anyway). I went to see one of these movies at Thanksgiving Point, the same place I saw Morrissey and the goat petting zoo. Once the movie got to be too much, and I couldn’t sneak out because I was with a friend, I began to focus on the sound system and on the quality of the projection on the screen. It was a remarkable revelation to me that the “cigarette burn” marks for celluloid reels were absent. The color white looked like it was projecting sharply from the screen instead of diffusely reflecting, and the sound was pristine and clean. Who knew a movie theater next to a barn would have made the leap to digital projection and sound? The next movie I went to was doubly unbearable because the picture and sound were as muddy as the story telling. Continue reading

“It’s All The Same Thing”

If I were a kid today I’d probably be wearing bell bottoms and singing “Tom Sawyer”. The shameful truth is that’s what I did when I was about 13. Too bad I was about 5 years behind that trend, so I’m pretty much ruined to this day. There’s still the chance for me to be cool today if I step out on the streets of Provo confounding all the kids with dyed and ratted black hair, skinny jeans, and tickets to see Hannah Montana. One day I realized all we do in pop culture is rebel against whatever gets passed on to us. There are only so many (3 or 4) wild departures we can take, so in effect we cycle through a pretty limited set of variations: long hair, skinny ties, kempt, unkempt, smelly, hygienic. I hold my breath waiting for the foul trends to phase into the decent ones. Continue reading